![]() First, enable the oscillator phase restart, which makes the oscillator start from the beginning of the waveform every time a note is played. There are a few things you can do to make the sound behave more like a triggered sample. We do this by pushing the amp envelope decay time and level up to their maximum. ![]() This creates a great combination of the 808 chest-thumping attack with the sustained weight of a sub-bass. This is part of the sound’s character, but if you synthesize your own 808 bass, you can make the tail fatter and louder than the original sound. Setting a fast attack time with slightly slower decay gives me that trademark 808 style attack.Ī sampled TR-808 bass drum has a tail that decays into silence after the initial attack. Then, pitch the oscillator down by two octaves, and use envelope 1 to modulate the oscillator pitch up by three octaves. This gives the bass raw weight and power, while adding a few harmonics for a more driven tone. You can sample an 808 bass drum hit, but it’s simple to make your own using pretty much any synth, so let’s run through how it’s done using Native Instruments’ Massive.įirst, we set the oscillator wavetable to Sin-Square, with the mix set to mostly sine waves. The venerable Roland TR-808 bass is a staple for many hip-hop beatmakers, including Timbaland. To make things more interesting, we reverse slice 14 in the drum rack, giving us a long reverse chord to add into the mix. This slices each hit of the loop onto a separate pad, allowing me to replay it in a pattern of our choice. We take two electric piano loops from The Phronetic’s hip-hop pack as a starting point, then sliced the HopefulKeys loop into a drum rack using the transients as a guide. ![]() While Tim typically lifts his sounds from sources like old records, material from his previous sessions, or loops made for him specifically by sound designers, we choose instead to dip into the Bandlab Sounds archive to grab some top-tier source material. Timbaland typically uses samples as the backbone of the musical elements in his tracks. As long as it doesn’t sound too wonky or obviously out of time, you’re on the right path. This applies equally whether you’re looking to make Timbaland-style drums or any other kind of hip-hop/R&B beats. If you go too far with this, you’ll end up making the finished beat sound too rigid. ![]() We’re using Ableton Live for this, but you can achieve the same results with any other DAW.Īn important point to remember when making beats this way is to not over edit or tighten up the recordings you’ve made. In this feature, we’ll be breaking down how Timbaland makes various components of his beats, including his drums and musical loops, so that you can follow along from the comfort of your own studio. Originally an Akai MPC user, Timbaland now uses Ableton Live with a Push 2 controller to create his music. Timbaland’s trademark style is heavily based upon the slicing, sequencing and manipulation of samples to create a unique groove and feel that has been influential not only in the world of hip-hop, but within other genres.
0 Comments
Leave a Reply. |