I further argue that by using humor to draw attention to the ways in which characters perpetuate or transgress perceived cultural boundaries, Who’s Irish? challenges the idea of a cultural authenticity or essence and creates a more relational, expansive, and fluid notion of cultural identity. Her sense of irony is exquisite and her sense of humor wickedly funny.This paper examines the cultural dislocation/relocation of the hyphenated space in the term “Chinese-American” by looking at humor in relation to themes of multiplicity, transition, and instability in Gish Jen’s collection of short stories, Who’s Irish? The paper situates the anthology within the larger cultural context of interpretations and representations of Chinese-American identity that compartmentalize these narratives into what critic Jeffrey Partridge terms a privatized “literary Chinatown.” I argue that Who’s Irish? de-privatizes the conventional Chinese-American narrative and instead functions within an alternate space of cultural production unique to the hybridized nature of the hyphenated identity, subverting what theorist Lisa Lowe describes as the “nativist/assimilationist” dialectic that characterizes Chinese-American literary tropes. Jen is a master of the well-placed telling detail and realistic dialogue. The reader knows their union is doomed from the start, but it is impossible to look away from this accident waiting to happen. "House, House, Home," at 75 pages more of a novella than a short story, really, follows the romantic relationship between art student Pammie and the much older art professor Sven. The story's O'Henrylike ending is a stunner. When he checks into a welfare hotel to save money while attending a minicomputer conference, Woo and the reader are forced to confront the sorry state of his life. "Birthmates" (recently selected by John Updike for his "Best American Short Stories of the Century") is a heartbreaking story about Art Woo, a 49-year-old recently divorced minicomputer salesman trapped in a dying industry. Blaming the granddaughter's wildness on her "mixed" Irish blood, the grandmother is eventually forced to accept and embrace that same culture. In the opening story, "Who's Irish?" a Chinese-American mother and daughter clash over child rearing. A Chinese-American herself, Jen's prose and descriptions are equally deft whether she is writing about her own ancestors or the forebears of others. Knopf, $22), a collection of eight short stories, Jen explores the complicated existence of those hyphenated Americans who are caught between cultures. In recent years, Gish Jen has explored the immigrant experience in the land of plenty with an accurate and knowing eye. Since the publication of "The Great Gatsby" the notion of the American Dream has become a favorite theme in this country's literature. (Click on a book title or cover to order that book from )
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Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.COVID-19 Portal While this global health crisis continues to evolve, it can be useful to look to past pandemics to better understand how to respond today.Student Portal Britannica is the ultimate student resource for key school subjects like history, government, literature, and more.This Time in History In these videos, find out what happened this month (or any month!) in history.#WTFact Videos In #WTFact Britannica shares some of the most bizarre facts we can find.Demystified Videos In Demystified, Britannica has all the answers to your burning questions.Britannica Classics Check out these retro videos from Encyclopedia Britannica’s archives.Britannica Explains In these videos, Britannica explains a variety of topics and answers frequently asked questions.I am very dedicated to my students and responsive to any of your questions so please don't hesitate to ask. That is what I am here to teach my students. We can all do it with the right instruction and work ethic. My goal is to help aspiring artists realize their potential and break their mental barriers that hold them back from creating the artwork of their dreams. With over 190,000 Youtube subscribers and quickly growing I felt I should create some more in depth content for students wanting to take their skills to the next level. I now share my knowledge in digital art and computer software through online platforms such as Udemy and have a growing Youtube channel as well. I am currently a professional freelance illustrator and comic artist where I create digital art for my clients. I create sequential art and character concepts. I am also the author of the book "Learn to Draw Action Heroes" by Impact Publishing. I have been published in comics, created 3D animation and characters for television, illustrated storyboards for commercials, and owned and operated my own sign and design firm successfully for over 15 years. I have been a working professional artist for most of my life. I also teach traditional art methods as well. My primary art programs are Clip Studio Paint, Procreate, Sketchbook Pro, and Photoshop. I currently teach Figure Drawing, Anatomy, How to Draw Comics, and Digital Painting. Thank you for considering my course and good luck with your studies! I am here to help you with any questions you might have and I look forward to seeing your artwork in the Q+A Section of this course This course is designed for aspiring comic artists that want to create more impact in their illustrations but I feel a lot of these lessons can apply to a variety of art styles.īy the end of these lessons you will have learned how to add more depth and dimension to your art. I will do my best to offer any insight that I can.Ĭonstructing Your Designs with Primitive Shapesĭrawing and Rendering a Comic Book Character Make sure to be specific with any questions or trouble areas you may have. You will work through a variety of practice activities that you can share in the Q+A Section of this course. Section 7 - Q+A Section - Here I add new Video Content to answer Your Questions Section 6 - Drawing Wrinkles and Folds for Clothing Section 5 - Drawing a Zombie - Textures and Imperfections Section 4 - Drawing Poses for Comic Book Characters + Designing a Character Section 2 - Drawing Comic Book Style Faces Section 1 - Understanding Line - Shape - Form This course is broken up into 5 main sections. You can still create and follow along with a regular pencil and paper. You will learn more about these tools as I am using them to create the work. Bristol board smooth and various erasers. I will be using Traditional Comic Art tools such as 2h and HB lead. I will teach you how to simplify the things around you and then draw them with your own creative filter.įor this course you will need a pencil and paper or a drawing tablet. By using line, shape, and forms we can construct anything. You will gain a better understanding on how to create illustrations with depth and dimension. In this course you will learn how to draw comic style art from the basic sketch to the final rendering. Unfortunately, sometimes cans of coconut milk just don't whip no matter what you try! I have found success with the brands listed above and that's about it. It will harden slightly as it sets but can be gently stirred to soften or served as is. Follow the instructions below and scoop into an airtight container. Make Ahead InstructionsĬoconut whipped cream can absolutely be made ahead. This will help create a light and creamy whip with a nice consistency. Avoid over-whipping or your coconut whip will begin to separate.Įnjoy your non-dairy whipped cream immediately or store it in the fridge for up to a week. If needed, add a very small amount of the reserved liquid from the coconut milk can. Reserve the liquid- we might use it a little bit later.Īdd the coconut cream, powdered sugar, and vanilla extract into the chilled mixing bowl.Īdd the whisk attachment to your mixer and whip on medium until you achieve a whipped cream consistency- about 1 minute. Scrape out the top layer of thickened cream. Remove the can of full-fat coconut milk from the fridge without tipping or shaking it and remove the lid. Next day, chill a large mixing bowl for about 8 to 10 minutes. See a list of approved brands above- not all cans of coconut milk are the same. Be sure not to shake the can of coconut milk. How to Make This RecipeĬhill both cans of coconut milk overnight. Hand Mixer: You could also use a Hand Mixer. Stand Mixer: I use a Kitchen Aid Stand Mixer and absolutely love it. Making this vegan heavy whipping cream recipe cannot be done by hand, you must use some sort of electric mixer. It really helps make it even more light and creamy.Ī few other coconut milk brands I've had good luck with are Thai Kitchen, 365 Whole Foods Brand, and Aroy-D. I recommend adding a splash of the liquid from the can for this one. This brand has never let me down when it comes to whipping. I do have some troubleshooting tips below but even then, the most important step is picking a quality can of coconut milk. Some brands are too watery and will never whip. Sometimes coconut milk cans can be duds and you end up with a grainy mess. I recommend buying multiple cans and maybe even trying two different brands, just in case. Vanilla Extract: Completely optional but delicious! Coconut Milk Brands for Whipping You can use less or more than instructed in the recipe card. Powdered Sugar: Powdered sugar adds sweetness but also helps stabilize it. But make sure you prep ahead of time by placing the cans in the fridge for at least 12 hours. Ingredientsįull-Fat Canned Coconut Milk: Not all canned coconut brands will work, more on that soon. This recipe is incredibly fluffy, quick & easy, dairy-free, and naturally gluten-free. I included my top tips down below in order for you to make a perfect foolproof dairy-free whip! If you've made vegan coconut whip in the past and it ended in disaster, you are not alone. This easy vegan whipped cream recipe is made with chilled coconut milk and powdered sugar. It's fluffy and creamy, and only requires two simple ingredients! This simple and delicious Dairy-Free Whipped Cream is the perfect topping for all your dessert needs. Thin support poles are near the aisles in Center Balcony rows C and D.Patrons should buy tickets for aisle seats, particularly towards the inside, for extra room. The Shubert Theatre Balcony’s steep rake makes it less than ideal for space. Row A of the Center Balcony is quite high and patrons may have to lean over a little to catch the very front of the stage, but it delivers a wide, downward view of the stage with enough detail to enjoy performances on a budget. These seats are usually cheaper than the front rows. The angle is more detrimental in the back rows, where patrons are likely to lean into each other’s sightlines and cause restricted views. The best seats in the Center Balcony are in rows A and B despite being very high, patrons in these rows won’t feel too removed from the show and the steep angle doesn’t kick in until a few rows back. Between rows C and D, there are thin support pillars near the aisles which can obstruct the view at times. Row J at the back has just four seats which are on either side of the sound booth. The nine Center Balcony rows have more direct sightlines, with seats starting at 101 on the right aisle and reaching 114 on the left. These are also the more expensive seats in the Right Balcony – the back rows are by far the cheapest options for those on a budget. The best seats are towards the inside of the front three or four rows, where there are fewer patrons sitting in front and all but the very front of the stage is clearly visible. Support poles by the aisle at rows C and D bisect sightlines in seats diagonally behind, but they aren’t wide enough to block significant portions of the performance. Seats are even-numbered in the range of 2 to 28. The Right Balcony comprises nine rows of seats from A at the front to J at the rear in the far corner of row J, views are at their steepest and most distant. Thin support poles near the aisle in rows C-D will also bisect the stage from most angles behind them. Towards the back rows, the steep rake makes the angle sharper, and patrons sitting in front may lean forward and block the view. The best views in the Left Balcony are from the single-digit seats in row A, although you may have to lean forward a little to see the very front of the stage. The section is very steep, and legroom is sparse patrons should definitely purchase an aisle seat if available. Seats begin at 1 and reach 27 at the far side, where the section curves slightly into side-on views. The Left Balcony is one of the cheapest seating areas in the Shubert Theatre. Seats 101-114 in row A are also good value for the distant yet mainly clear view. If patrons are happy to compromise on comfort and sightline quality to save money, this section represents a good value opportunity to experience a Broadway show. Some patrons may also find the angle to be too steep to appreciate the details of a performance, especially if other theatergoers lean into sight lines.īalcony seating is the cheapest available at the Shubert Theatre, with prices dropping in the back rows and corners. Towards the sides and back rows, view become more distant and negatively affected by the curve of the seats and thin support pillars between rows C and D. The best views are in the Center Balcony or row A, especially in the lower range of numbers near the inside aisles. The Balcony is split into a Left, Right and Center with around nine rows of seating. Situated up three flights of stairs, this section is not ideal for patrons with limited mobility, although there are four transfer seats in the back rows, closest to the stairs. The Balcony is the highest and farthest section of seating in the Shubert Theatre, with 350 seats across three distinct sections. You can achieve this by answering with negative answers when given the opportunity during dialog sequences. Sleepless Nights (Bronze) – View the normal Cheater ending.Ĭomplete the game with the morality bar to the left (chaos). You can only listen to one factoid per night, so in order to unlock this trophy you’ll need to finish sake every night you visit the bar, except for the first since you can’t order anything on that night. Sake factoids are given after finishing a full ochoko of sake in the bar area. Sake Sensei (Bronze) – Listen to all the sake sound bites. See here for which dialog options to choose when speaking to Justin. Justin is usually the second to last person to leave the bar, so you’ll want to speak to him after Daniel, Archie, and Todd. Avoid speaking to your friends and the twins next to them to make sure you don’t pass any needed time. You’ll need to speak to him every night before he leaves, and also speak to him at the landings in-between stages, answering dialog choices with a helpful answer in the process. Justin is one of the people that visits the bar regularly. Read All About It! (Bronze) – Get Justin out of his jam. (Golden Playhouse)įind a line of five blocks, or pull out blocks to form a line of five, and push the line of blocks all at the same time to unlock this trophy. Push It to the Limit! (Bronze) – Push 5 blocks at once. Simply interact with the jukebox and select a song to unlock this trophy. The jukebox is available in the bar toward the left side where the bathroom and Rapunzel are located. Play It Again, Vince… (Bronze) – Use the jukebox to change the music. You will earn this trophy after defeating the stage’s boss, Shadow of Vincent. Path to the Altar (Bronze) – Conquer Stage 7.Ĭomplete the seventh stage in Story mode. Use the video below as a guide, and all 64 stages are available through the uploader’s page. There are a total of 64 increasingly difficult stages. Rapunzel is a great mini-game found at the bar that is similar to the normal puzzle gameplay, but gives you a set amount of moves to complete each stage. Past a Heap of Puzzles (Bronze) – Beat Stage 64 of Rapunzel. See here for which dialog options to choose when speaking to Morgan. Morgan is usually the last person to leave the bar, so you’ll want to speak to him last every night. Morgan is one of the people that visits the bar regularly. One Last Case (Bronze) – Help Morgan clean up his mess. This is a very tall and challenging level, so bring your A-game. You can select Obelisk in Babel mode from the main menu once you’ve unlocked it by achieving five Gold Prizes in Story mode on Normal or Hard. Babel mode is very similar to the stages in Story mode, but are completely randomized, so a guide is nearly impossible. It enables you to switch to the desired one from the slide bar, you can also delete the unwanted one or check the detailed EXIF information of the ORF file via the I icon from the bottom left corner. Step 3: To browse the details and EXIF information of the ORF, you only need to double-click the ORF file to go to the Full Screen mode. After that, you can click the Compare button to choose the desired one. Of course, you can also press the Shift key and choose two similar photos. Just select the desired photos and press the Ctrl + C keys to copy the file. Step 2: Go to the Library mode, you can browse all ORF files, JPEG photos, and even videos in thumbnails. After that, you can click any file, including ORF, JPEG, TIFF format, or even MP4 file to open all files within the same SD card. Connect your Olympus camera to your computer and make sure the computer can recognize the SD card. Step 1: Download and install WidsMob Viewer Pro and make sure to set it up as the default ORF photo viewer. Win Download Mac Download How to Open and Convert ORF Files Convert ORF RAW to JPEG, PNG, and BMP without losing the original quality. Provide different modes to browse ORF images and edit them with a few clicks.Ĥ. Copy ORF images to another folder, compare similar photos, and delete them.ģ. Browse ORF, HEIC, WebP, MP4, JPEG, and others within the same SD card.Ģ. Moreover, you can compare similar photos, crop the desired part, flip/rotate them, or even delete the unwanted ones.ġ. WidsMob Viewer Pro is an all-in-one ORF converter, which provides different browsing modes, such as the library mode to browse all files within the same folder, the full-screen mode to manage them, the EXIF mode to check the EXIF information, and even convert ORF file to different photo formats. Part 3: Best Method to Open and Convert ORF Files |